![]() Besides that, I have been meditating often to look calm and poised. I started watching and seeking inspiration from various films which have visually impaired protagonists like Sparsh (a 1980 film starring Naseeruddin Shah and Shabana Azmi in lead roles) and the Scent of a Woman (a 1992 Hollywood film starring Al Pacino). He further added, "Before I began shooting for the show, I ensured to keep up to all the requirements of my character. Although, it required me to dedicate my time immensely towards preparing for this role as my character, Darsh, is seen as a visually impaired person in the show." I am blessed and lucky to be playing this role and believe it will simply strengthen my acting skills by the day. Baalveer’s energy star is divided into six pieces and these go into the body of the six lookalikes.Talking about how privileged he feels while essaying such a challenging role, Vijayendra Kumeria said, "This character happens to be by far one of the most challenging roles I have ever essayed in my entire acting career which in turn excited me all the more on taking up this opportunity. The story is about him balancing life between his mother and his wife.Īctor Dev Joshi, who essays the role of the protagonist, plays six different characters in the show. In the show, actor Karan Khanna plays the role of Babu. He is a visually-impaired photographer and the story revolves around his struggles. The story is based on the relationship between father and son. He does not want to replicate this with his son, essayed by Ansh Sinha. Protagonist Rajeev, essayed by Ssudeep Sahir, regrets not having an open and healthy relationship with his father, played by Rajendra Chawla. His journey gets exciting because he attains a miraculous power of invisibility through a ring. The story of the show revolves around Veer, essayed by Abhishek Nigam, who sets out on a quest to find his father. Here are the prominent current shows that have stories woven around a male protagonist: “I feel it all boils down to the story and it’s not entirely about who takes the centrestage but how your character is perceived and how impactful it is,” he says. This was a show where I could show my talent,” he says.Ībhishek Nigam of “Tera Yaar Hoon Main” feels not only his role, but all roles must be integral to the story for a show to be engaging. The story revolves around Babu, and Maa and Baby are related to it. When I signed the show, my producer told me that this is the first time that everything is revolving around a man. “It has always been said that TV is women-centric. Karan Khanna says when he was approached for “Amma Ke Babu Ki Baby”, he was specially told that the story would revolve around the male protagonist. The audience today has become much more accepting of newer concepts, they don’t just want a female actor to be the saviour, they want both male and female actors to be the hero of the show.” I feel it has to do a lot with the stories too. At the end of the day, we all are hungry for good roles, we all want to prove our versatility on-screen, and these days both male and female actors are being given such different roles to play on-screen. Vijayendra Kumeria adds: “Male actors are now getting out-of-the-box roles, which they also enjoy as an actor. From the title to the stories, everything mostly revolved around the female characters, other than the occasional monologues or dominating dialogues, male actors had certain limitations in a show. “Earlier, women-centric shows were made keeping in mind the target audience, and though male actors were given importance, there was not much to do. ![]() Vijayendra Kumeria also acknowledges that things have changed. But now the lines are blurring and men too have issues that need to be addressed,” she says. ![]() In our patriarchal society, usually the woman is an underdog. On Indian TV, we accept a protagonist who is either an underdog or God. “Men in Indian soaps have been behind the frontlines for a bit but in the new age telling there are shows that are revolving around them. “Aapki Nazron Ne Samjha” producer Sonali Jaffar says the emerging trend is just a part of the larger maxim that television stories are generally about the underdog in society. ![]()
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